Loving all things vector (and poly) at the moment. I’ve always loved vintage vector video game graphics from the late 70s and early 80s, mainly from Atari. Games like Asteroids, Tempest, Lunar Lander, Battle Zone and Star Castle were amazing, and kept me pumping in quarters. I actually owned a table top Tempest arcade game around 1987 (last two images above). Kept it in my bedroom! I can’t believe I traded it for a crappy Sony Watchman. As way ahead of it’s time as it was…what was I thinking!
The games were great, but these days I also admire the linear typography that was a product of mathematics as much as design. Simple and uniform in their weights, the letterforms are reminiscent of mid-century stencil lettering used by draftsmen (and women). Amazingly, those things are still for sale!
For a nice, concise history of video games, enjoy this site.
Just got a great tip from No Film School about the amazing Lantern. It is essentially a search engine from Media History Digital Library, that allows access to an incredible wealth of vintage film & tv mags like Variety, The Film Daily, and Photoplay, with high resolution scans of each and every page. These are mags from as early as 1914, in the case of Photoplay, and as late as 1964, in the case of The Educational Screen. This is a rare treat, and great resource for vintage type, ads, articles, images, and opinions from another era.
The repository is deep, but slightly tricky to navigate – here’s a tip: once you’ve clicked on a cover on the home page, you’ll be taken to a list of issues, that in most cases look like plain dark covers. Those seem to be the archive covers, but inside, is all the good stuff. The secret is to click on “Read in Context“. That takes you, inside the magazines, which you can flip through (really), page by page. Lovin’ it!
I’m about to launch a new product into the world – fully customizable, typopgraphic car toys, based on the name of a child. The site where they will be for sale will allow all sorts of customization of the toys, starting with the child’s name, which will form the body of the car. But more than that, the wheels, “face” and car style (6 styles in total, including Monster Truck, Racing Car, and Pick-Up Truck, all made from typography) will all be options for each toy.
Featured above it my super cute nephew Finch, with the world’s first Finch-mobile.
If these customizable toys sound interesting to you let me know. I’m taking pre-orders now. The site will launch this summer, in time for Christmas 2013.
Just stumbled across this curious typographic experiment, and found it quite inspiring. It’s a kind of bokeh type effect Ruslan Khasanov. I’ve featured Ruslan’s work in the past. He’s a ceaseless experimenter, and I love what he’s doing.
This bokeh lumen type is really quite fresh, and I’m not sure how he’s accomplished it. There is a clue in one of the images he provides (see below). A lens and light set up. Does he create each circular shape one at a time, then assemble the full letterforms in post. I think not, because seeing them in motion (see below) all the circles in each letter react to changes together… curious…
You can see the lumen type in motion here:
Life imitates art or maybe it’s the other way around, and in this case, marketing imitates art. Fifty years after Andy Warhol created his now iconic soup can prints, The Campbell’s Soup company has issued special edition cans (via Target stores) that emulate his abstract “interpretations” of their labels. You can read more about Target’s coup here.
Interesting typographic experiments from Jinhwan Kim involving spinning letterforms. What makes these more interesting is that they are not simply animated on the computer, they are shot through a lens, with a light box, which reveals a chromatic aberration of colours beyond the pure black letterforms themselves. You also get that lovely “wagon wheel effect” as the motor accelerates and decelerates. That can be seen best with the full alphabet below.
I think “J” is my favourite!